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Love Medicine Louise Erdrich - Essay. Love Medicine Louise Erdrich. (Born as Karen Louise Erdrich; has also published under pseudonyms Heidi Louise and Milou North) American novelist, poet, memoirist, children's writer, and historian. The following entry presents criticism on Erdrich's novel Love Medicine (1984; expanded, 1993) through 2000. See also, Louise Erdrich Criticism . In the novel Love Medicine, Erdrich draws upon her Chippewa heritage to for essays, examine complex familial and sexual relationships among Native Americans and their conflict with white communities. Her comically eccentric characters attain mythic stature as they struggle to overcome isolation, abandonment, and exploitation.
Although Erdrich's work often deals with issues of refugee, concern to Native Americans, critics have noted the intro for essays universality of her themes, the poetic quality of her literary voice, and her engaging authorial presence. Initially published in 1984, Erdrich released a revised and expanded version of Love Medicine in umi dissertation database, 1993 to clarify events and relationships between characters, as well as strengthening links to her later works such as Tracks (1988) and for essays The Bingo Palace (1994). Love Medicine remains critically and trade in textiles juggernaut essay commercially popular and has earned a notable position in intro, the canon of American literature. Plot and Major Characters. Love Medicine features fourteen interconnected stories related by seven different members of the Kashpaw and Lamartine families of the Turtle Mountain Chippewa community. The first chapter of the novel, “The World's Greatest Fishermen,” opens with the death of June Kashpaw, who freezes to marriage and single essay, death as she tries to walk back to her reservation following a meaningless sexual encounter with a white oil worker. As the chapter progresses, Erdrich relates the reactions of June's relatives, children, and the Turtle Mountain community to her death, establishing the foundation for the rest of the narrative. The subsequent chapters are not arranged chronologically, but rather follow significant moments in intro for essays, the lives of her characters between the years of 1934 and boy essay 1984. The chapters “Saint Marie” and intro “Wild Geese” follow Nector and Marie Kashpaw, who at times act as June's parents following the death of her mother.
Nector was sent to public school while his twin brother Eli stayed home on the reservation and, as a result, Eli has been unable to abstract database, fully integrate himself into white culture. In Marie's early adolescence, she attempted a social climb by becoming a nun in a convent near the reservation. After battling with the intro for essays sadistic Sister Leopolda, who believes that Marie is possessed by the Devil, Marie leaves the convent and marries Nector. How We. Their marriage is tumultuous, and Nector later begins an affair with Lulu Nanapush, whose past is related in “The Island,” a chapter added to the 1993 expanded edition. “The Beads” opens in 1948 with June in her childhood just after Marie and intro Nector took her into their home. The chapters “Lulu's Boys,” “The Plunge of the Brave,” and “Flesh and Blood” all take place in 1957, primarily focusing on the strained relationships between Nector, the promiscuous Lulu, and refugee the overly socially conscious Marie. “A Bridge” and “The Red Convertible” take place between 1973 and for essays 1974 and holding the chinese in check essay follow Henry Lamartine, the son of Lulu and her former brother-in-law, Beverly. Henry is on his way back to the reservation, returning after being released from a Vietnam prisoner-of-war camp, when he meets Albertine, a niece of intro, June's who is running away from and single essay home. The bonds between Nector, Lulu, and Marie are further explored in “Love Medicine” and “The Good Tears.” Lipsha Morrissey, who was raised by Marie, tries to heal the breach between Marie and Nector caused by Nector's attraction to Lulu in intro, the retirement center in umi dissertation database, which they live.
Unwittingly, as Marie tries to for essays, get Nector to eat the turkey hearts prepared by Lipsha as a “love medicine,” Nector chokes to database, death. “The Good Tears” ends with Lulu and Marie's reconciliation, with Marie acting as Lulu's nurse, putting the “tears” in for essays, her eyes following Lulu's cataract surgery and boy essay Nector's death. The final three chapters—“The Tomahawk Factory,” “Lyman's Luck,” and “Crossing the intro for essays Water”—follow Lyman Lamartine, Nector and Lulu's son, and Lipsha, who discovers that June was his birth mother. The stories in Love Medicine examine the lives of umi dissertation, individuals in the Turtle Mountain community, tracking both their physical moves to stay or leave the reservation and for essays their spiritual moves to accommodate a pervasive American culture or remain true to college writing, the lifestyle of their Chippewa ancestors. In part, the linked sections chart the health and success of the characters who are in the process of this movement. Chapters such as “The World's Greatest Fishermen” and “The Island” concentrate on a variety of thematic concerns such as abandonment, promiscuity, alienation, the for essays devastating effects of alcoholism and suicide in Native American communities, and holding the chinese essay vicissitudes of familial relationships. Characters like Eli and Lyman reflect the displacement and for essays isolation of Native Americans within American cultural, socioeconomic, and political landscapes. Eli isolates himself on how we kept day essay, the reservation, not acknowledging the presence of white culture, while Lyman dreams of intro, building a casino to attract white gamblers to the area.
However, the novel also focuses on more positive aspects of the tribal community, including the healing power of humor, familial and cultural bonds, compassion, hope, and redemption. Despite their lifelong struggle surrounding Nector—who tries to balance himself between white and Native American culture—Marie and writing a successful Lulu are able to intro for essays, reconcile their differences and live together in kept day essay, the Native American retirement community. Critics have explored the archetypal image of the Native American trickster in Love Medicine, which Erdrich embodies in intro for essays, the characters of Lulu and Lipsha. Commentators have additionally noted that Erdrich's use of multiple narrators illustrates the complex relationships amongst the characters while also recreating the refugee boy essay form of the Native American oral narrative. Love Medicine has received an overwhelmingly positive critical assessment since its initial publication, earning several accolades and honors, including the National Book Critics Circle Award in intro, 1984. The majority of the reviews and critical commentary on the novel have focused on Erdrich's unique narrative technique, which employs multiple narrators, overlapping themes, and nonlinear chronology. This nontraditional structure has earned Love Medicine favorable comparisons to William Faulkner's As I Lay Dying and Absalom, Absalom! Erdrich's continuing use and development of characters in marriage, the Turtle Mountain region has also been praised for its similarity to Faulkner's creation of Yoknapatawpha County, Mississippi. Some critics have complained that Erdrich's use of alternating narrators interrupts the intro for essays narrative flow and makes the trade in textiles holding essay text needlessly confusing, while others have lauded Erdrich's characterization and the thematic links between the intro narrators. Placing Love Medicine within a specific literary genre has been widely debated among scholars and academics, with some alternately referring to the story as a novel, a collection of stories, or a short story sequence.
Although Erdrich refers to each section as a “chapter,” reviewers have noted that many of the sections originally appeared in umi dissertation abstract, other publications as short stories. Hertha D. Wong has asserted that the structure of intro, Love Medicine constitutes a “short story cycle,” noting that, “[a]lthough each of the short stories in Love Medicine is how we kept mother's inextricably interrelated to a network of other stories beyond its covers, the sequence of stories within the book has its own coherence, just as each story has its own integrity.” Access our Love Medicine Study Guide for Free. Jacklight (poetry) 1984. Love Medicine (novel) 1984; expanded edition, 1993.
The Beet Queen (novel) 1986. Baptism of Desire (poetry) 1989. The Crown of Columbus [with Michael Dorris] (novel) 1991. The Bingo Palace (novel) 1994. The Blue Jay's Dance: A Birth Year (memoir) 1995.
Grandmother's Pigeon [illustrations by intro Jim LaMarche] (juvenilia) 1996. Tales of Burning Love (novel) 1996. The Antelope Wife (novel) 1998. The Birchbark House (juvenilia) 1999. The Last Report on the Miracles at Little No Horse (novel) 2001. Master Butchers Singing Club (novel) 2002. Books and umi dissertation abstract Islands in Ojibwe Country (memoir and history) 2003. Original Fire: Selected and for essays New Poems (poetry) 2003. Ruth Doan MacDougall (review date 27 November 1984) SOURCE: MacDougall, Ruth Doan. “Engaging First Novel Records 50 Years on a Chippewa Reservation.” Christian Science Monitor 77, no. 3 (27 November 1984): 33.
[ In the following review, MacDougall praises Erdrich's characterizations in Love Medicine, calling the work “a funny, mystical and down-to-earth” novel. ] I grew up with [my mother] in an aqua-and-silver trailer, set next to marriage and single, the old house on the land my great-grandparents were allotted when the government decided to intro, turn Indians into farmers. … The main house, where all of my aunts and uncles grew up, is one big square room with a cooking shack tacked onto refugee, it. Intro For Essays. The house is a. (The entire section is marriage and single life essay 540 words.) Get Free Access to intro, this Love Medicine Study Guide. Start your 48-hour free trial to unlock this resource and thousands more. Get Better Grades. Our 30,000+ summaries will help you comprehend your required reading to kept day essay, ace every test, quiz, and essay. We've broken down the chapters, themes, and characters so you can understand them on your first read-through.
Access Everything From Anywhere. We have everything you need in one place, even if you're on intro for essays, the go. Download our handy iOS app for free. Linda Taylor (review date 22 February 1985) SOURCE: Taylor, Linda. “On- and Off-Reservation.” Times Literary Supplement, no. 4273 (22 February 1985): 196. [ In the following review, Taylor compliments Erdrich's narrative structure and refugee boy essay examination of issues relevant to Native Americans in Love Medicine.] Set in North Dakota and depicting the lives of the sometimes loosely connected, sometimes over-connected members of the Kashpaw and Lamartine families. For Essays. (Chippewa Indians interbred with white trash), Love Medicine is writing a successful a novel about survival, about going home (both locally and metaphysically), about true and false spirits (gods, demons, powers).
With seven narrators and intro for essays an occasional word from the. (The entire section is 925 words.) Get Free Access to this Love Medicine Study Guide. Start your 48-hour free trial to unlock this resource and thousands more. SOURCE: Gleason, William. “‘Her Laugh an Ace’: The Function of Humor in lord of the jack essay, Louise Erdrich's Love Medicine. ” American Indian Culture and Research Journal 11, no. 3 (1987): 51-73. [ In the following essay, Gleason examines how humor is used as a metaphor and as a tool for emotional growth in Love Medicine.]
We have one priceless universal trait, we Americans. For Essays. That trait is our humor. What a pity it is that it is not more prevalent in our art. Many early reviewers of Louise Erdrich's Love Medicine treat the novel as though it were at heart a tragic account of. (The entire section is 8744 words.) Nora Barry and Mary Prescott (essay date winter 1989) SOURCE: Barry, Nora, and Mary Prescott. “The Triumph of the Brave.” Critique 30, no. Day Essay. 2 (winter 1989): 123-38. [ In the intro following essay, Barry and Prescott examine gender and social roles within Native American communities in trade in textiles holding the chinese juggernaut in check, Love Medicine, contending that “Erdrich challenges the romantic vision of Native Americans as destined for intro for essays, cultural oblivion.” ] In Louise Erdrich's Love Medicine, winner of the of the flies jack essay National Book Critics Circle Award in 1984, native American Nector Kashpaw recalls modeling for the painting Plunge of the Brave. “There I was, jumping off a cliff, naked of course, down into a rocky river.
Certain death.” The painting. (The entire section is intro 7955 words.) Louise Flavin (essay date fall 1989) SOURCE: Flavin, Louise. “Louise Erdrich's Love Medicine : Over Time and Distance.” Critique 31, no. And Single. 1 (fall 1989): 55-64. [ In the following essay, Flavin asserts that Love Medicine is a novel about “disintegration and breaking connections, and of bonding and for essays restoration.” ] Louise Erdrich's Love Medicine appeared in 1984, just fifteen years after the Pulitzer Prize was awarded to N. Scott Momaday for his novel of how we kept mother's, contemporary Indian American life, House Made of Dawn. Momaday's novel is intro for essays generally recognized as setting off the renaissance of written imaginative native American works that followed in the next two decades. This span of. (The entire section is 4977 words.) SOURCE: Magalaner, Marvin. “Louise Erdrich: Of Cars, Time, and the River.” In American Woman Writing Fiction: Memory, Identity, Family, Space, edited by Mickey Pearlman, pp. 95-108.
Lexington: The University Press of Kentucky, 1989. [ In the following essay, Magalaner maintains that Erdrich's primary focus in college writing, Love Medicine is on intro, her characters and their relationships within the Turtle Mountain community. ] Love Medicine marks a new approach to the treatment of the American Indian in fiction. Louise Erdrich's Chippewa families on a twentieth-century reservation in the West bear no resemblance to the solemn “braves and squaws” of how we, cowboy and intro for essays Indian. (The entire section is 5882 words.) SOURCE: Silberman, Robert. Trade In Textiles Holding In Check. “Opening the Text: Love Medicine and the Return of the Native American Women.” In Narrative Chance: Postmodern Discourse on intro for essays, Native American Indian Literatures, edited by Gerald Vizenor, pp. Abstract Database. 101-20.
Albuquerque: University of intro for essays, New Mexico Press, 1989. [ In the following essay, Silberman places Love Medicine within the context of boy essay, late twentieth-century Native American literature, arguing that Erdrich's novel signals a break with traditional modern Native American narratives. ] Louise Erdrich's Love Medicine opens with June Kashpaw, middle-aged Chippewa woman, wasting time in the oil boom town of Williston, North Dakota. (The entire section is 8044 words.) Lydia A. Schultz (essay date October 1991) SOURCE: Schultz, Lydia A. “Fragments and Ojibwe Stories: Narrative Strategies in Louise Erdrich's Love Medicine. Intro. ” College Literature 18, no. 3 (October 1991): 80-95. [ In the kept mother's day essay following essay, Schultz explores the function of multiperspectivity in intro, Love Medicine.]
In the early part of the kept mother's twentieth century, multiperspectivity in fiction was seen as elitist and experimental. Many modernist works—T. For Essays. S. Boy Essay. Eliot's The Waste Land (1922), Virginia Woolf's Mrs. Dalloway (1925), William Faulkner's The Sound and for essays the Fury (1929)—use multiperspectival narration to depict the world as fragmentary, disrupted, and refugee boy essay chaotic. Modernist uses of.
(The entire section is 7703 words.) SOURCE: Owens, Louis. “Erdrich and Dorris's Mixedbloods and intro Multiple Narratives.” In Other Destinies: Understanding the life essay American Indian Novel, pp. 192-224. Intro For Essays. Norman: University of Oklahoma Press, 1992. [ In the following excerpt, Owens discusses the dominant thematic concerns of marriage and single life, Love Medicine, particularly the novel's examination of race and religion. ] Despite the intro importance of N. Scott Momaday's Pulitzer Prize for House Made of Dawn in 1969, no American Indian author has achieved such immediate and application essay writing service enormous success as Louise Erdrich with her first novel, Love Medicine. A best-seller, Love Medicine not only outsold any previous novel by an. (The entire section is 6036 words.) SOURCE: Sarris, Greg. Intro. “Reading Louise Erdrich: Love Medicine as Home Medicine.” In Keeping Slug Woman Alive: A Holistic Approach to American Indian Texts, pp.
115-45. Berkeley: University of California Press, 1993. [ In the following essay, Sarris offers a critical reading of Love Medicine, using Erdrich's text to explore aspects of Native American literature. ] “Your grandmother didn't want to be Indian,” my Auntie Violet remarked as she put down the photograph of my grandmother I had given her. She leaned forward in her chair, as if for a closer inspection, one last look at the picture, then sat back with resolve. “Nope,” she said, “that. (The entire section is 13883 words.)
Jeanne Marie Zeck (essay date fall 1995) SOURCE: Zeck, Jeanne Marie. “Erdrich's Love Medicine. Boy Essay. ” Explicator 54, no. For Essays. 1 (fall 1995): 58-60. [ In the following essay, Zeck examines the sensual relationship between the characters of marriage life essay, Eli and Marie in Love Medicine.] In the intro chapter of Louise Erdrich's novel Love Medicine entitled “The Beads,” Eli plays the role of the father to Marie's children when Nector is absent. Erdrich suggests, through a brief scene dense with sexual imagery, that Eli and Marie are June's spiritual parents. In a subtle, tender scene, they make love without touching, and June is the fruit of their union. On one particular evening in 1948, Eli stays late.
(The entire section is 1145 words.) Barbara L. Pittman (essay date December 1995) SOURCE: Pittman, Barbara L. “Cross-Cultural Reading and Generic Transformations: The Chronotope of the Road in Erdrich's Love Medicine. ” American Literature 67, no. 4 (December 1995): 777-92. [ In the following essay, Pittman explores how Erdrich uses time and space to create a narrative world in Love Medicine, noting that “ [ d ] iscovering the literary and cultural features essential to a creative understanding of lord of the essay, Louise Erdrich's Love Medicine means recognizing the intro literary and cultural chronotopes present in the work.” ] Writing from of the jack essay within two literary traditions, as all Native American writers do, Louise Erdrich writes both.
(The entire section is 6523 words.) Jeanne Rosier Smith (essay date 1997) SOURCE: Smith, Jeanne Rosier. “Comic Liberators and for essays World-Healers: The Interwoven Trickster Narratives of Louise Erdrich.” In Writing Tricksters: Mythic Gambols in American Ethnic Literature, pp. 71-110. Berkeley: University of California Press, 1997. [ In the following excerpt, Smith investigates Erdrich's use of the Native American trickster archetype in marriage and single life essay, Love Medicine.] The trickster's constant chatterings and antics remind us that life is endlessly narrative, prolific and openended. —William Hynes Mythical Trickster Figures. From the first publication of Love Medicine in 1984. (The entire section is 4954 words.)
Susan Farrell (essay date winter 1998) SOURCE: Farrell, Susan. “Erdrich's Love Medicine. ” Explicator 56, no. 2 (winter 1998): 109-12. [ In the following essay, Farrell provides an interpretation of the symbolism behind June's death in the “The World's Greatest Fishermen” chapter of Love Medicine.] Set mostly on for essays, a Chippewa reservation in North Dakota, Louise Erdrich's first novel, Love Medicine, opens on the morning before Easter Sunday with the death of June Kashpaw, an event that sets into motion both memories and actual returns to the reservation by the other characters. Erdrich's Easter setting is important, as is the title of the first section. “The World's Greatest Fishermen,”. (The entire section is 1624 words.) Karen Janet McKinney (essay date winter 1999) SOURCE: McKinney, Karen Janet. How We Mother's. “False Miracles and Failed Vision in Louise Erdrich's Love Medicine. ” Critique 40, no.
2 (winter 1999): 152-60. [ In the following essay, McKinney explores the negative influence of for essays, Catholic missionaries on the Chippewa people and the impact of Catholicism in Erdrich's Love Medicine.] In the last decade of the kept mother's day essay twentieth century, American culture seems increasingly at war with itself; racial and cultural divisions appear to be at once more marked and more insidious than ever before. For Essays. We read the endless essays in “liberal” journals, listen to reactionary shoutings on the radio, and turn with disgusted disbelief from the. (The entire section is 4125 words.) Brian Sutton (essay date spring 1999) SOURCE: Sutton, Brian. “Erdrich's Love Medicine. ” Explicator 57, no.
3 (spring 1999): 187-89. [ In the following essay, Sutton discusses the recurring image of the red convertible in Love Medicine.] Literary critic Marvin Magalaner has stated that in marriage and single, Louise Erdrich's Love Medicine, “water is the all-pervasive symbolic link with the past […] and with the natural environment,” whereas “the unnatural present is epitomized by the automobile” (101). Intro For Essays. But in the chapter of Love Medicine entitled “The Red Convertible”—a chapter often anthologized separately as a short story—just the opposite is the case: The automobile is associated. (The entire section is 1273 words.)
Karah Stokes (essay date summer 1999) SOURCE: Stokes, Karah. “What about the Sweetheart?: The ‘Different Shape’ of Anishinabe Two Sisters Stories in Louise Erdrich's Love Medicine and Tales of Burning Love. ” MELUS 24, no. 2 (summer 1999): 89-105. [ In the marriage and single following essay, Stokes explores the role of Anishinabe culture, mythology, and storytelling in intro for essays, Love Medicine.] Even though she grew up off-reservation speaking English, and writes a novel, a European form, Louise Erdrich's work is informed and ordered by elements of Anishinabe as well as of German-American, Catholic, and Midwestern cultures. These elements tantalize non-Anishinabe readers by umi dissertation lending a different shape to her fiction. (The entire section is 7223 words.) SOURCE: Gish, Robert F. “Life into Death, Death into Life: Hunting as Metaphor and Motive in Love Medicine. ” In The Chippewa Landscape of Louise Erdrich, edited by Allan Chavkin, pp. 67-83. Tuscaloosa: The University of Alabama Press, 1999. [ In the following essay, Gish identifies how hunting functions as a central motif in Love Medicine.]
Now therefore take, I pray thee, thy weapons, thy quiver and thy bow, and go out to the field, and take me some venison; And make me savory meat, such as I love, and bring it to me, that I may eat; that my soul may bless thee before I die. (The entire section is 6357 words.) SOURCE: Chavkin, Allan. “Vision and Revision in for essays, Louise Erdrich's Love Medicine. Umi Dissertation. ” In The Chippewa Landscape of Louise Erdrich, edited by Allan Chavkin, pp. 84-116. Tuscaloosa: The University of for essays, Alabama Press, 1999. [ In the following essay, Chavkin compares and contrasts Erdrich's original version of Love Medicine with the 1993 expanded edition, noting similarities and differences throughout the text. ] Love Medicine (1984) made Louise Erdrich famous almost overnight.
This novel prompted an unusual amount of critical attention, won the National Book Critics Circle Award, and has since become a work frequently anthologized and taught in college. (The entire section is 12250 words.) SOURCE: Ratcliffe, Krista. And Single Essay. “A Rhetoric of intro for essays, Classroom Denial: Resisting Resistance to Alcohol Questions While Teaching Louise Erdrich's Love Medicine. ” In The Languages of Addiction, edited by in check Jane Lilienfeld and Jeffrey Oxford, pp. 105-21. New York: St. Martin's Press, 1999. [ In the following essay, Ratcliffe considers Erdrich's portrayal of addiction in for essays, Love Medicine and discusses some of the difficulties she had teaching the novel—a problem she refers to as “classroom denial.” ] In pedagogy scholarship, the term “resistance” functions as an antanaclasis; that is, the term has two very different definitions that emerge from umi dissertation abstract competing.
(The entire section is 6012 words.) Jason P. Mitchell (essay date spring 2000) SOURCE: Mitchell, Jason P. “Louise Erdrich's Love Medicine, Cormac McCarthy's Blood Meridian, and the (De)Mythologizing of the American West.” Critique 41, no. 3 (spring 2000): 290-304. [ In the intro for essays following essay, Mitchell explores the ways in which Cormac McCarthy's Blood Meridian and Erdrich's Love Medicine debunk the mythology of the American West. ] “Fighting; his way with knife and marriage gun,” the Texas cowboy was evolved, a fearless rider, a workman of intro for essays, sublime self-confidence, unequaled in the technique and jack tricks of “cowpunching,” the most accurate on the trigger and intro for essays the last to leave untasted the glass which the. (The entire section is 6998 words.) SOURCE: Sands, Kathleen M. “ Love Medicine : Voices and mother's Margins.” In Louise Erdrich's “Love Medicine”: A Casebook, edited by Hertha D. Sweet Wong, pp. For Essays. 35-42. New York: Oxford University Press, 2000.
[ In the following essay, Sands considers stylistic aspects of Love Medicine, maintaining that “ultimately it is a novel, a solid, nailed-down, compassionate, and coherent narrative that uses sophisticated techniques toward traditional ends.” ] Love Medicine by college application essay service a successful Louise Erdrich is a novel of hard edges, multiple voices, disjointed episodes, erratic tone shifts, bleak landscapes, eccentric characters, unresolved antagonisms, incomplete memories. Intro. It. (The entire section is 3344 words.) Beidler, Peter G. Refugee Boy Essay. “Three Student Guides to Louise Erdrich's Love Medicine. ” American Indian Culture and for essays Research Journal 16, no. 4 (1992): 167-73.
Beidler presents three guides for the teaching and understanding of Love Medicine. Reid, E. Shelley. “The Stories We Tell: Louise Erdrich's Identity Narratives.” MELUS 25, nos. 3-4 (fall-winter 2000): 65-86. Reid discusses the function of Erdrich's “identity narratives,” drawing particular attention to mother's, Love Medicine. Wong, Hertha D. “Louise Erdrich's Love Medicine : Narrative Communities and the Short Story. (The entire section is 262 words.) Love Medicine Homework Help Questions. Since Lipsha Morrissey narrates chapter thirteen of Louise Erdrich's Love Medicine and undergoes a kind of moral and intro for essays physical change, he can properly be called the protagonist of this chapter. . Chapter thirteen of Love Medicine by writing service Louise Erdrich is intro told from the refugee point of view of Lipsha Morrissey; he was adopted by the Kashpaws, whom he calls grandma and grandpa and whom he loves. Intro For Essays. We learn. In my mind, I think that a dominant theme in both works is the idea of exploring how the individual experience is one that needs to be revered in all of how we mother's, its different forms.
Hughes' poem is quite. Louise Erdich's Love Medicine, and Langston Hughes' Theme for intro for essays, English B, are written about people who are searching for an identity—where they are equals. In both poems there is a theme of. The resolution of chapter thirteen of Love Medicine by Louise Erdrich is probably everything that happens after the funeral and Nector Kashpaw's reappearance at his wife's bedside and after.
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Picturing the Personal Essay: A Visual Guide. A design professor from Denmark once drew for intro, me a picture of the creative process, which had been the subject of his doctoral dissertation. “Here,” he said. “This is what it looks like”: Aha, I thought, as we discussed parallels in the writing process. Although I may start an essay with a notion of where I am headed, inevitably I veer away as I get new ideas or encounter dead ends. Sometimes I even seem to go backward, losing all direction. Nothing is wasted though, said the refugee boy essay, design professor, because every bend in the process is helping you to arrive at your necessary structure. By trying a different angle or creating a composite of intro, past approaches, you get closer and closer to what you intend. You begin to umi dissertation delineate the organic form that will match your content. The remarkable thing about intro for essays, personal essays, which openly mimic this exploratory process, is that they can be so quirky in application their “shape.” No diagram matches the exact form that evolves, and that is because the intro, best essayists resist predictable approaches.
They refuse to limit themselves to generic forms, which, like mannequins, can be tricked out in personal clothing. Nevertheless, recognizing a few basic underlying structures may help an essay writer invent a more personal, more unique form. Lord Essay? Here, then, are several main options. Narrative is the natural starting place since narrative is a natural structure for telling others about personal events. We instinctively turn to chronology as a way to recreate the past, putting our lives into intro a neat moment-by-moment order. Beware, though. The march of time can be methodical—first this, then this, then this. If unrelieved, it becomes the ticking clock in the jail or, worse, the flat line of death. Savvy essayists, as a result, twist their chronology, beginning at the end or breaking to a moment in the past, even weaving together several timelines. Trade Holding The Chinese Juggernaut In Check? More crucial, though, is their use of intro for essays, tension, which changes the flat line of trade holding the chinese in check, chronology into a rising line—a plot. Such tension forces the reader into a climb, muscles contracting.
It raises anticipation. Will we reach the top? And what will we see from there? Take, for example, Jo Ann Beard’s essay “The Fourth State of intro, Matter.” The narrator, abandoned by her husband, is caring for life, a dying dog and going to work at intro for essays, a university office to which an angry graduate student has brought a gun. The sequence of scenes matches roughly the marriage and single essay, unfolding of real events, but there is suspense to pull us along, represented by questions we want answered. In fact, within Beard’s narrative, two sets of questions, correlating to intro for essays parallel subplots, create a kind of double tension. Refugee Boy Essay? When the intro, setting is Beard’s house, we wonder, “Will she find a way to let go of the dying dog, not to mention her failing marriage?” And when she’s at work, we find ourselves asking, “What about the guy with the gun? How will he impact her one ‘safe place’?” Narrative essays keep us engaged because we want answers to such questions. The tension begs for resolution. We keep on reading unless the writer stops stair-stepping upward toward the critical moment when change becomes necessary.
If she flatlines on an emotional plateau, not raising the refugee, tension, then we are likely to lose interest and intro, walk away. “Readers do not want to put their foot on the same step twice” is the way veteran essayist Bill Kittredge put it while swapping ideas at a writing conference. He had learned this principle from screenwriters in Hollywood and how we mother's, insisted, “Think what you want, those guys know how plots work.” One interesting side note: trauma, which is a common source for personal essays, can easily cause an author to intro for essays get stuck on the sort of trade in textiles juggernaut in check essay, plateau Kittredge described. Intro For Essays? Jo Ann Beard, while clearly wrestling with the immobilizing impact of her own trauma, found a way to college application essay writing a successful keep the intro for essays, reader moving both forward and upward, until the rising tension reached its inevitable climax: the graduate student firing his gun. I have seen less-experienced writers who, by contrast, seem almost to jog in place emotionally, clutching at a kind of post-traumatic scar tissue. Let’s set aside narrative, though, since it is not the only mode for a personal essay.
In fact, most essays are more topical or reflective, which means they don’t move through time in a linear fashion as short stories do. Phillip Lopate describes how reflective essayists tend to circle a subject, “wheeling and diving like a hawk.” Unlike academic scholars, they don’t begin with a thesis and lord, aim, arrow-like, at a pre-determined bull’s-eye. Intro For Essays? Instead, they meander around their subject until arriving, often to the side of what was expected. One of the benefits of such a circling approach is that it seems more organic, just like the mind’s creative process. It also allows for a wider variety of perspectives—illuminating the abstract, subject from multiple angles.
A classic example would be “Under the Influence,” Scott Russell Sanders’s essay about his alcoholic father. Instead of luring us up the chronological slope of for essays, plot, Sanders spirals around his father’s drinking, leading us to a wide range of realizations about alcoholism: how it gets portrayed in films, how it compares to demon-possession in the Bible, how it results in violence in other families, how it raises the author’s need for control, and even how it influences the next generation through his workaholic over-compensation. Trade In Textiles Holding The Chinese In Check? We don’t read an essay like this out of plot-driven suspense so much as for the pleasure of being surprised, again and again, by new perspective and new insight. The formal limits of focus. My own theory is that most personal essayists, because of a natural ability to extrapolate, do not struggle to find subjects to write about. Intro For Essays? Writer’s block is not their problem since their minds overflow with remembered experiences and related ideas. While a fiction writer may need to invent from scratch, adding and adding, the essayist usually needs to do the opposite, deleting and deleting.
As a result, nonfiction creativity is best demonstrated by what has been left out. The essay is a figure locked in a too-large-lump of personal experience, and the good essayist chisels away all unnecessary material. One helpful way to understand this principle of deletion is to think of the lord flies essay, essayist looking through a viewfinder to limit the intro, reader’s focus. How We Day Essay? The act of framing a selected portion of raw experience from the chronological mess we call “life” fundamentally limits the intro for essays, reader’s attention to a manageable time and place, excluding all events that are not integrally related. What appears in the written “picture,” like any good painting, has wholeness because the trade holding, essayist was disciplined enough to remove everything else. Virginia Woolf’s “Street Haunting” is an odd but useful model.
She limits that essay to a single evening walk in London, ostensibly taken to for essays buy a pencil. Juggernaut Essay? I suspect Woolf gave herself permission to intro combine incidents from several walks in flies jack London, but no matter. The essay feels “brought together” by the imposed limits of time and place. As it happens, “Street Haunting” is also an interesting prototype for for essays, a kind of essay quite popular today: the segmented essay. Although the work is unified by the frame of a single evening stroll, it can also be seen as a combination of many individual framed moments. Lord Of The Flies Essay? If we remove the intro, purpose of the journey—to find a pencil—the essay falls neatly into a set of discrete scenes with related reveries: a daydreaming lady witnessed through a window, a dwarfish woman trying on how we kept shoes, an for essays imagined gathering of royalty on kept mother's the other side of a palace wall, and eventually the arguing of a married couple in the shop where Woolf finally gets her pencil. Today, many essayists are comfortable simply letting go of the overarching story line (such as Woolf’s journey to buy a pencil) so they can organize disparate scenes in a more segmented fashion, separated by bits of white space. All that remains to unify the parts is an almost imperceptible thread of theme, not narrative.
Will Baker, for instance, relies on nothing but a title—“My Children Explain the Big Issues”—and four section headings: “Feminism,” “Fate,” “Existentialism,” and “East and West.” Each of his framed vignettes is about a remembered moment with one of his kids. These moments have a broad similarity as a result; however, without their attached labels, we would not be able to connect the parts in a fully satisfying manner. The titles allow us to string together a kind of thematic necklace. Our attention to intro for essays thematic unity brings up one more important dynamic in most personal essays. Not only do we have a horizontal movement through time, but there is also a vertical descent into meaning. Umi Dissertation Database? As a result, essayists will often pause the forward motion to dip into a thematic well. Sometimes these vertical descents seem quite expository, which is not necessarily bad. Contrary to the high school teacher’s oft-repeated maxim—“Show, don’t tell!”—the essayist is free both to show and intro for essays, tell. In fact, I once heard the nonfiction writer Adam Hochschild scold a group of MFA students for being so subtle in their writing that they left out boy essay, critical signposts that readers needed. Intro For Essays? “Don’t be so afraid to trade in textiles the chinese juggernaut say what you mean,” he counseled.
Wendell Berry’s essay “An Entrance to the Woods” demonstrates the potential for such expository descents. In the middle of a quiet description of an overnight camping trip, Berry notices the distant roar of cars on a highway, and the “out-of-place” sound leads him on a long tangent. He describes how the “great ocean of silence” has been replaced by an ocean of engine noise, in which silence occurs only sporadically and at intro, wide intervals. He imagines the “machine of human history—a huge flywheel building speed until finally the force of its whirling will break it in pieces, and the world with it.” And the reader realizes that what appeared to be an kept odd tangent is actually an essential descent into the well of meaning. The essay is not about intro for essays, camping at all, but about the fragile nature of nature. In fact, Berry uses several of these loops of reflective commentary, and though they seem to be digressions, temporarily pulling the reader away from the boy essay, forward flow of the plot, they develop an essential second layer to the essay. Braided and layered structures. So far we have looked at narrative, reflective, and intro for essays, segmented essays, but we have not exhausted our structural possibilities. Far from it. Many essays, for instance, are braided, weaving together two or more strands of story line in an interactive fashion. Judith Ortiz Cofer, in her personal meditation “Silent Dancing,” creates a particularly revelatory braid from two strands: a home movie juxtaposed against her own memories of childhood as a Puerto Rican in New Jersey.
To help the reader with transitions, she brackets the home movie with white space, putting the text into italics. We look at the italicized home movie for flies essay, a while, then her memories, then the movie, and so on, letting one strand surface while the other is momentarily submerged. Today, an even more fashionable form is the “lyric essay,” which is not easily categorized since it may depend on braiding or segmenting to accomplish its overall effect. However, like the for essays, lyric poem, the lyric essay is devoted more to image than idea, more to mood than concept. It is there to be experienced, not simply thought about.
And like many poems, it accomplishes this effect by application service, layering images without regard to narrative order. A lyric essay is a series of waves on the shore, cresting one after the other. It is one impression after another, unified by intro, tone. And it seems to college essay a successful move in its own peculiar direction, neither vertical nor horizontal. More slant. Want an example? Look at Judith Kitchen’s three-page essay “Culloden,” which manages to leap back and forth quite rapidly, from a rain-pelted moor in 18th-century Scotland to 19th-century farms in America to the blasted ruins of Hiroshima on August 6, 1945, the author’s birthday.
The sentences themselves suggest the impressionistic effect that Kitchen is after, being compressed to fragments, rid of the intro, excess verbiage we expect in formal discourse: “Late afternoon. The sky hunkers down, presses, like a lover, against the land. Small sounds. A far sheep, faint barking. . . Abstract? .” And as the images accumulate, layer upon layer, we begin to feel the for essays, author’s fundamental mood, a painful awareness of her own inescapable mortality. We begin to encounter the piece on a visceral level that is more intuitive than rational. Like a poem, in refugee prose. Regardless of form, all essays must end, which raises a final worthwhile question: how to bring closure? First of all, endings are related to intro beginnings. That’s why many essays seem to circle back to refugee where they began.
Annie Dillard, in her widely anthologized piece “Living Like Weasels,” opens with a dried-out weasel skull that is attached, like a pendant, to the throat of intro for essays, a living eagle—macabre proof that the weasel was carried aloft to die and be torn apart. Then, at the end of the essay, Dillard alludes to college service a successful the skull again, stating, “I think it would be well, and intro, proper, and obedient, and pure, to grasp your one necessity and not let it go, to refugee boy essay dangle from it limp wherever it takes you.” Of course, the effect of returning to her initial image, transforming it into for essays a symbol, is a sense of how we kept mother's, completion. Intro? For Dillard’s weasel-skull conclusion to lord flies jack feel truly satisfying, however, it must mimic life, which is never completely complete. Intro? In real life, there is always an “and then,” even if it comes after we have died. College Application Essay Service A Successful? So the intro, best conclusions open up a bit at marriage essay, the end, suggesting the presence of the future. See how deftly Dillard accomplishes this effect simply by positing one last imagined or theoretical possibility—a way of for essays, life she hopes to master, that we ourselves might master: “Seize it and lord of the flies, let it seize you up aloft even, till your eyes burn out and drop; let your musky flesh fall off in shreds, and let your very bones unhinge and scatter, loosened over fields, over fields and intro, woods, lightly, thoughtless, from life, any height at all, from as high as eagles.” Yes, the essay has come full circle, echoing the opening image of the weasel’s skull, but it also points away, beyond itself, to something yet to be realized. Intro? The ending both closes and opens at the same time. All diagrams rendered by Claire Bascom.
An earlier version of this essay appeared in Volume I, issue 1 of The Essay Review. Don't miss a word of the best true stories, well told. Tim Bascom’s memoir Running to the Fire (University of Iowa Press, 2015) is about his missionary family leaving the in check, town of Troy. read more. Our neuro tangles were in great synchrony. While struggling to rewrite two complicated essays, I just had to STOP and scribble. The scribbles became a map of for essays, my attempts to organize my pieces, and as a visual artist as well, I embellished with some stamps and tears and posted it on Facebook looking for sympathy. One thing led to another and Dinty Moore got a hold of it and asked me to guest blog on Brevity. Mother's Day Essay? I think you will like this! Mapping the intro, Lyrical Essay 12/23/13 on Brevity.wordpress.com.
Thank you Tim for such an insightful article. I found myself thinking about and single life essay, my approach to essay, the many forms of structure it can take and how I can use the knowledge you've provided in a memoir I'm working on. This essay did exactly what great writing should do, entertain and intro, educate, making the reader more aware and thoughtful in her own writing. I am working on a series of stories/essays/artwork that moves forward in application writing service leaps and backwards in absentmindedness. It twists and entangles itself and intro, then suddenly moves upwards on boy essay a different plane. I absolutely love this article for intro, enlightening me on the process. I would like to read this with the essays linked to it! This essay is fabulously useful! I'll be showing it to my creative writing students semester after semester, I'm sure. I appreciate the piece's clarity and refugee boy essay, use of perfect examples. Most nonfiction writers I know can’t really get going on an essay, a chapter or even a book until they have set the direction and tone of. read more.
One Friday night long ago, I was in my office, reading through a pile of unsolicited submissions for a book series Creative Nonfiction was. read more. I have been online, in one way or another, since the early 1990s. In the early days, I was on a desktop computer, a Macintosh LC II, with a. read more. If you think about for essays, it, almost all good stories in any genre are survival stories of one sort or another. Or, to put it another way, there. read more.
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A Guide to Writing A Pastoral Resume. A pastoral resume can be difficult to for essays, write and develop. Umi Dissertation! Churches often receive dozens of resumes in their pastoral search process, and finding the right candidate is a rigorous process. Intro For Essays! There are several important steps to follow as you prepare for writing a pastoral resume. First, you must remember that a ministry resume is a very different document than a secular resume. Pastoral resumes often include personal information, such as marital and family status, date of birth, personal philosophies, and even a family picture. You cannot approach writing a pastoral resume in the same fashion you would a secular resume, because a pastoral resume is structured and developed different from a traditional resume. Because of and single essay, this structure and intro, the details involved in writing a pastoral resume, it is in textiles the chinese in check, often longer than a traditional resume.
On the for essays, first page you should include the most pertinent and core information – the life, top of the first page should clearly state your name, and if you have an advanced degree, add your credentials behind your name. Many ministry and pastoral resumes feature a professional headshot, typically placed at the top right of the intro, page. Paul’s first letter to Timothy includes the pastor’s family in the description of the pastor’s qualifications, and as our culture includes the pastor’s wife as a representation of the ministry position, pastoral resumes often feature a family picture. Including a family picture also personalizes your resume. Below your name you should indicate you contact information and biographical information. A significant difference between a secular resume and a ministry resume is the inclusion of personal details. Some of essay, these details include marital status, family details, date of intro for essays, birth, and even how long you have been married.
Especially from trade holding juggernaut in check a secular point of view, and living in for essays, a very politically correct society, these details may seem inappropriate or irrelevant, but Scripture has very specific requirements for holding pastors; including physical maturity, spiritual maturity, and leadership in his marriage and parenting. Next, although optional, many pastoral resumes include a personal statement, consisting of intro for essays, ministry objectives, ambitions, or a short summary of your ministry accomplishments. This should be succinct and set you apart as the candidate for the position. The second section in writing a pastoral resume is your educational information. You should clearly indicate both your degree and the institution you received your degree at. Life Essay! Especially in ministry positions, your educational institution will certainly affect your potential hiring as it reflects the quality of your theological training.
Education also impacts your doctrinal positions and teaching within the church you are hired at. For Essays! You should list your most recent degree earned first, which is typically your highest degree. The third section when writing a pastoral resume should be your ministry experience. In the case of trade in textiles juggernaut in check, someone beginning in ministry, list any ministry experience, including volunteer ministries and academic internships. For pastors or ministers without significant of lengthy ministry experience, or who have worked bi-vocationally, it may be important to list experience in the secular field as well, always listing the most recent employment first. Human Resource professionals tend to recommend that in for essays, describing your ministry responsibilities, you place the focus on accomplishments and activities, rather than job elements or responsibilities . This informs the reader not only how we kept mother's of what your responsibilities are, but also of the results of intro, your ministries. Although you want to balance humility with describing your accomplishments, your resume is how we day essay, where you showcase your skills and talents. For Essays! The fourth section of in textiles holding the chinese essay, your pastoral resume is where all semblance of a traditional resume disappears. Your ministry philosophy is for essays, often attached separately, or included on essay, a separate page. Ministry philosophies are typically broken down into several sections, such as: Conversion and Call to Ministry.
Philosophy of Preaching and Teaching. Philosophy of Leadership. Philosophy of Counseling. Each of your philosophies should be succinct, yet detailed, and intro, if appropriate, should include Scriptural references. These are all important sections, are churches want to abstract, know, and frankly have a right to know, how you will teach, lead, and counsel. Be sure to intro for essays, personalize these statements. Finally, your pastoral resume should include your doctrinal positions. You may list that your doctrinal positions align with a published doctrinal statement within the denomination you are applying within, but a pastoral resume should always include a description of your doctrinal positions: churches want to know what you personally believe and will teach in college service a successful, their church. Do not make the mistake of trusting another’s references. Intro For Essays! Only list Scripture references you have personally researched and agree with in mother's, their application.
There are a few more details that are important not to intro, overlook when writing a pastoral resume. Often times, search committees and life essay, churches may dismiss a resume due to a lack of details or information. You resume should reflect not only your professional and ministry accomplishments, but also your personality. If you print off your resume to intro for essays, send it to a church, staple your resume or paperclip the document. The Chinese Essay! This is an easy step to ensure that the pages are not separated. An important tip to intro for essays, consider is to insert your first and last name, as well as page numbers, in the footer of your resume, in case the boy essay, pages of your resume are separated. Do not use graphics, pictures, or excessive colors in your resume. Your formatting should be simple and elegant, subtle and not obtrusive. Consider using heavier paper or paper designed for for essays resumes.
A contemporary trend is to make references available upon request. These may be included on of the essay, a separate sheet; this reduces clutter on your resume and separates them somewhat from the rest of your resume. Your references should be relevant; pastors or ministry leaders you have served under, seminary professors you have studied with, or other ministry related references. If at all possible, your references should not be family members or close friends. Be sure to intro for essays, ask your reference if they can be listed as a reliable reference before including them on refugee boy essay, your list, and ask them directly if they can give you a positive reference. Finally, consider including a cover letter with your ministry or pastoral resume. A cover letter is an excellent opportunity to explain some of your qualifications, skills, talents, and experience, in a less formal manner than in your resume. Your cover letter should be written well and signed personally.
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Furthermore, should you request a revision after the how we kept mother's Revision Period, it will also be considered as a new order requiring an intro, additional payment. We may require you to supply us with personal identifying information, and we may also legally consult other sources to obtain information about you. By accepting these Terms and Conditions, you authorize us to kept day essay make any inquiries we consider necessary to validate the information that you provide us with. Intro For Essays? We may do this directly or by verifying your information against third party databases; or through other sources. Essentially, verification procedure involves, inter alia, confirming that the order is authentic and that the cardholder is of the jack essay, aware of for essays, charges by placing a phone call to them, and in certain cases by lord jack essay, requesting some additional documents to intro be submitted for verification to our Risk Department. In order to ensure timely delivery of your order, this procedure must be completed quickly and application writing service a successful without delay. Therefore, it is vital to provide accurate and valid phone numbers. Failure to verify an order may result in order cancellation or the order being placed on for essays hold. You consent to our processing your personal information for the purposes of marriage life essay, providing the Services, including for intro verification purposes as set out herein. You also consent to of the jack essay the use of such data for intro for essays communicating with you, for statutory and accounting purposes.
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When You interact with our Customer Service representatives, enter information on our Website, submit survey responses, or pay for Services, we may also collect Personal Information and other information. We may monitor and record phone calls, e-mails, live chats, or other communications between You and our Customer Service representatives or other employees or representatives. Information We Collect Automatically. We automatically collect a variety of college application essay writing a successful, information associated with Your use of our Services. Each time You visit the Website, Personal Information is automatically gathered. In general, this information does not identify You personally. Examples of automatically collected personal information include, but are not limited to: IP address, Collection Date, Publisher Name, Connection Speed, Day of Week Time of Day (hour), Language settings, Country, City (relating to IP address, if available).
Web beacons are generally invisible because they are very small (only 1-by-1 pixel) and for essays the same color as the background of the web page or e-mail message. Web Browsing Activity. When accessing our Website, We automatically collect certain information about Your computer and Your visit, such as your IP address, browser type, date and trade the chinese time, the web page You visited before visiting our Website, Your activities and intro purchases on our Website, and other analytical information associated with the Website. Information From Other Sources. We may also obtain information about You from other sources. For example, We may receive credit information from third-party sources before initiating Your service. We may also purchase or obtain Personal Information (for example, e-mail lists, postal mail lists, demographic and marketing data) from application essay writing service others. HOW WE USE INFORMATION WE COLLECT ABOUT YOU.
We use the intro for essays information We collect for a variety of business purposes, such as: To provide and bill for lord of the flies jack essay Services You purchase; To deliver and intro confirm Services You obtain from refugee us; To verify Your identity and maintain a record of Your transactions and intro interactions with us; To provide customer services to You; To create, modify, improve, enhance, remove or fix our Services and their performance; To identify and suggest products or services that might interest You; To make internal business decisions about current and future Service offerings; To provide You customized user experiences, including personalized Services offerings;
To protect our rights, interests, safety and property and abstract that of our customers, service providers and other third parties; and. To comply with law or as required for legal purposes. We may use Personal Information for investigations or prevention of for essays, fraud or network abuse. We may use information we collect to contact You about our and/or third-party products, services, and offers that We believe You may find of interest. We may contact You by telephone, postal mail, e-mail, or other methods. You may see advertisements when You visit our Website. We may help advertisers better reach our customers by providing certain customer information, including geographic information, language preferences or demographic information obtained from other companies. This information is used by advertisers to determine which ads may be more relevant to You. However, we do not share Personal Information outside of our corporate family for advertising purposes without Your consent. WHEN WE SHARE INFORMATION COLLECTED ABOUT YOU.
We do not sell, license, rent, or otherwise provide Your Personal Information to unaffiliated third-parties (parties outside our corporate family) without Your consent. Essay? We may, however, disclose Your information to unaffiliated third-parties as follows: With Your Consent. We may disclose Personal Information about You to third-parties with Your consent. Intro? We may obtain Your consent in writing; online, through “click-through” agreements; when You accept the terms of disclosures for certain Services; orally, when You interact with our customer service representatives. We encourage You not to application writing service a successful share Your password. If You provide Your user account password and/or security question responses to intro third parties they will have access to application writing service a successful Your Personal Information when they access Your user account with Your account password. To Our Service Providers. We may disclose information to third-party vendors and partners who complete transactions or perform services on our behalf (for example, credit/debit card processing, billing, customer service, auditing, and marketing). In a Business Transfer. We may sell, disclose, or transfer information about intro, You as part of a corporate business transaction, such as a merger or acquisition, joint venture, corporate reorganization, financing, or sale of abstract database, company assets, or in intro the unlikely event of insolvency, bankruptcy, or receivership, in which such information could be transferred to third-parties as a business asset in the transaction.
For Legal Process Protection. We may disclose Personal Information, and other information about You, or Your communications, where we have a good faith belief that access, use, preservation or disclosure of such information is reasonably necessary: to satisfy any applicable law, regulation, legal process or enforceable governmental request; to enforce or apply agreements, or initiate, render, bill, and collect for services and products (including to collection agencies in order to obtain payment for application essay writing service our products and intro for essays services); to protect our rights or interests, or property or safety or that of marriage and single life essay, others; in connection with claims, disputes, or litigation – in court or elsewhere; to facilitate or verify the appropriate calculation of taxes, fees, or other obligations; or. in an intro for essays, emergency situation. We may provide information that does not identify You personally to third-parties for marketing, advertising or other purposes. HOW WE STORE AND PROTECT THE INFORMATION COLLECTED ABOUT YOU. Protecting Your Information. We use a variety of physical, electronic, and lord jack procedural safeguards to protect Personal Information from unauthorized access, use, or disclosure while it is under our control. Unfortunately, no data transmission over the internet can be guaranteed to be completely secure. As a result, although we will utilize such measures, we do not guarantee You against for essays, the loss, misuse, or alteration of Personal Information under our control, and and single You provide Personal Information to us at intro Your own risk. You should always take care with how You handle and disclose your Personal Information and lord of the essay should avoid sending Personal Information through insecure e-mail, social networks or other internet channels. Retention and Disposal.
With further purchases, a Partner earns 5% of the Referral’s total order price. All money earned with the Referral Program is umi dissertation abstract database, stored on intro your Referral Balance. A Partner can transfer the money to the Bonus Balance and use it to holding juggernaut in check essay purchase a service. It is possible to transfer the sum to the Partner’s PayPal account (no less than $20).